Video is priced by duration and resolution. The exact credit cost is calculated on the job and shown before you confirm; failed jobs refund automatically.
The video generator at AiPronBase works two ways: text-to-video for brief scenes, and image-to-video for the stills that earned it. The house order at the cornerstone desk is fixed — stills first, judged against the base card, and only a proven still is allowed to move. A clip multiplies every unsettled line by every frame it runs, so the desk spends its arithmetic before it spends its credits. Video is priced by duration and resolution, and the exact figure is printed before you confirm the job.
Brief one movement per clip, in one plain sentence: she turns toward the light, she raises the glass, she stands. If the sentence needs the word “and” twice, it is two clips, not one. Compose the source still with room to move — space around the subject, a direction left open, no limb already at the frame edge.
Every line of the base card reads correctly at a glance, and the composition leaves a direction open. An unproven still makes an expensive clip.
One sentence, one action. The engine spends its effort on the single motion instead of negotiating between three.
Once for identity, once for motion, once for edges. Only a clip that passes all three is worth a finishing credit.
A few seconds of true motion, cut from the same stills the feed already knows.
Motion sells the stills behind it — when it stays true to them.
The clip everyone sees first, made from the frame that earned the front.
“The keeper still from the series, one movement: she turns her head slowly toward the light and holds the gaze. Nothing else moves.”
Identity was settled at still cost. The clip spends everything on motion.
“A fictional adult woman in evening dress crossing a lamplit room to a window, one continuous walk, camera still.”
One action, one room, one camera decision. Text briefs stay this plain or they drift.
| Input trait | Effect |
|---|---|
| A proven, card-true still | Identity holds across every frame |
| One movement per clip | Clean motion, fewer artefacts |
| Room around the subject | Nothing collides with the frame edge |
| Several actions in one brief | Expect mush; split it into clips |
By duration and resolution. The exact credit figure is printed on the job before you confirm it — never estimated afterwards, never rounded in the studio’s favour.
From a still, almost always. A proven still has already passed the base card; a text brief asks the clip to settle identity and motion in the same spend.
The daily check-in gives 6 credits — one standard still a day. Clips cost more than a day’s check-in, so they belong to credit packs; the still that fronts the clip can be made on the house routine.
No. Clips rest private in your account until you publish them yourself, exactly like stills.
Too much movement in one brief. One plain sentence of motion per clip is the house rule; two sentences is two clips.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator