Per-job credit pricing is shown before you confirm. An edit produces a new piece; your original stays untouched in your account.
The image editor at AiPronBase exists for the frame that misses by a single detail: the right woman, the right light, the wrong dress. It makes one named change — wardrobe, setting, light, a prop removed — and holds everything else still. An edit costs 21 credits, printed before you confirm, and the discipline at the cornerstone desk is to spend it once, on a frame that already passed the base card.
Brief the change and the invariants together. The engine is literal: what you do not name as fixed, it may improve on its own initiative, and its initiative is not your series. Name what changes, name what must not, and judge the result against the card like any other frame.
Identity, construction, feeling — the two-minute routine. Only a keeper earns an edit.
One garment, one light, one background element. Two changes is two jobs, judged separately.
Face, pose and the unnamed parts of the room must be untouched. If they moved, the edit failed — say so and rerun.
Colour and garment swaps on a frame whose pose is already the keeper.
Move a proven frame into the room the rest of the set lives in.
Evening for noon, lamplight for daylight — the cheapest reshoot there is.
“Change her dress to deep wine red with the same cut; keep her face, hair, pose, the chair and the window light exactly as they are.”
The change is one line; the invariants are the rest of the brief.
“Remove the picture frame on the wall behind her and continue the plain wall; change nothing else in the image.”
Repairs name the object and its replacement — plain continuation, in this house.
| Brief trait | Effect |
|---|---|
| One change, invariants named | The edit lands where it was aimed |
| Several changes at once | Each change negotiates with the others; expect drift |
| No invariants named | The engine improves what it likes, including her face |
| Identity already wrong | Cull and regenerate — editing cannot save it |
21 credits, printed before you confirm. One precise change per job is the house method — it is also the cheapest way to edit.
No. Identity belongs to the base card and the generator. The editor repairs wardrobe, setting and light on a frame whose character is already right.
Name the one thing that changes and the things that must not. “Change the dress to deep red; keep her face, pose and the room exactly.”
Yes. The source and the result rest in your account, like every job here.
When it fails the card on identity. Cull it and regenerate; editing a stranger into your series never holds.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator